Posted by Bryan Formhals
on November 10, 2008

©Patrick Zachmann/Magnum
With so much good content coming from Magnum, sometimes it’s easy to miss the gems. This essay by Patrick Zachmann echoes the vibe from ‘In the Mood for Love‘ which for me is certainly a good thing. Enjoy.
Un Jour, La Nuit by Patrick Zachmann [Magnum In Motion]
(thanks Hin!)
Posted by Bryan Formhals
on November 09, 2008
“I know who I am. I don’t do what I do in order to make somebody like me, or to prove something to someone, or to be the best. I do it for myself, for my own satisfaction. I want to find my limits, to see how far i can go. The maximum, that’s what’s always interested me – the maximum from me and the maximum from others.” -Josef Koudelka

©Josef Koudelka
This is one of my favorites from the Contacts series. Check it out.
Josef Koudelka Contacts pt. 1 [Youtube]
Josef Koudelka Contacts pt. 2 [Youtube]
Posted by Bryan Formhals
on November 04, 2008

We were recruited to help out with an essay for Magnum In Motion. Big thanks to James Wendell for suggesting us!
At The Forefront Of The Elections
Posted by Bryan Formhals
on October 19, 2008

©Alec Soth
“What makes blogs work isn’t fancy prose. It is all about content and conversation.” – Alec Soth
If I was president, I’d have a kick-ass blog [Magnum] [via A Photo Editor]
Posted by Bryan Formhals
on September 29, 2008

“I can’t understand why no one seems to talk about this guy.” - James Hendrick
One of the major curses of photography on the web is image fatigue. There’s simply so much content out there that it eventually all starts to look the same, even the good stuff. So, it’s no wonder that a guy like Harry Gruyaert wouldn’t receive much attention, especially given the big names in Magnum that overshadow him. But of all the work that’s come across my path recently, Rivages has struck the loudest chord and lingered with me long after I finished clicking through the gallery.
The work is subtle, and might not impact people who prefer a more direct approach. But the mood, and the precision of the compositions create a tension in the photographs that’s hypnotic. And this is only from viewing the images on the web. As soon as the economic free-fall ends (2018?), this will be the first book I add to my collection.
Magnum In Motion – Rivages
Harry Gruyaert on Magnum