Now Available: Photographs on the Brain Issue #1 1

Posted by Bryan Formhals on January 07, 2010


©Marcelo Montecino

Issue #1 – Mercedes, Santiago, 69

Contributors: Marcelo Montecino, Stasha Bajac, Erik Borst, Andrej Filev, Karen Rudd, Michael Ronquillo, Tommy Forbes, Terttu Uibopuu, Rafael Alcacer, Wai Lin Tse, Eduardo & Matheus, Peter Baker, Raoul Gatepin, Bryan Schutmaat, Julien Boast, Chuck Patch,Kurt Manley, Todd Fisher, M.Newton, Francesca Nicolosi, Joni Karanka, Aleksey Myakishev, David Teter, Edwin Monney, Erica Joy, Pietro Castellucci, Mike Dennington, Krzysztof Rost, David Wilson, Yann Faucher, Milicia Amidzic, Marlon Kowalski

Edited by Bryan Formhals

photographsonthebrain.com

Now Available Through MagCloud!

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November, 2009 Show – Four walls and adobe slabs

Posted by Bryan Formhals on December 15, 2009

01- Alexi Hobbs
Photograph ©Alexi Hobbs

Curated by Olivier Marcel

A photo essay to explore contemporary meanings of dwelling and their visual equivalences in today’s turmoil.

Contributors: Alexi Hobbs, Barbara Vanschaik, Ben Anderson, Ben Roberts, Savva Bogatyrev, Kirill Kuletski, Raoul Gatepin, You Li, Matthew Genitempo, Hin Chua, Kate Kirkwood, Derek Vincent, Ana Kras, Henry Mackay, Rafal Pruszynski, Keith Young, Karen Rudd, Andrej Filev, Julien Boast, Hannah Davies, Bryan Formhals, John Goldsmith, Rafael Alcacer, Mark Powell, Eliot Shepard, Jair Cabrera Torres, Gary Clark, Lukasz Wierzbowski, Jasmine Lee

NOTE: From this point forward, we’re going to use Viewbook for our shows and photoessays. If you move your cursor below the credits, a toolbar appears that allows you to view in Fullscreen which is what I recommend.

VIEW SHOW

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October, 2009 Show – I wouldn’t like death if death were good

Posted by Bryan Formhals on November 15, 2009


photograph ©Michela Heim

forgive us o life
the sin of death
oh baby
you know that dying is fine but maybe
I wouldn’t like death if death were good
not even if death were good

Ra Ra Riot / E. E. Cummings

edited by Ariane Schrack

Contributors: sylvain-emmanuel prieur, Rafael Alcacer, Cristobal Emilio Marquez Martinez (Tobalo), Martin Nicholls, Pauline Magnenat-Fuchs, Xavier Encinas, Michela Heim, Innis McAllister, Julien, Daniele Argentiero, Nastya Tailakova, Ben Anderson, Joni Karanka Luca Romano

For this show, we experimented a bit. Instead of selecting one editor, we allowed anyone to make an edit from the pool by using the Flickr Galleries feature.  Anyone who created an edit was allowed to vote on which edit they thought was the best.  Ariane received the most votes and for good reason, so here edit will be the official show for this month. If you’d like to view some of the other interpretations, you can view them HERE. (Thanks Tiffany!)

VIEW SHOW

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la familia abrazada #7

Posted by Bryan Formhals on October 12, 2009

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©Rafael Alcácer

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©Luka Knezevic – Strika

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©Pedro Ramos

INFO

Selection by John Goldsmith
la familia abrazada [Flickr]
la familia abrazada [Tumblr]

la familia abrazada on LPV

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Featured: Rafael Alcacer

Posted by Bryan Formhals on March 23, 2009

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When did you start photographing your family? And did you start for any specific reason?

I started photographing my family when my kid was about a year old (she’s for now), with the only intention of keeping a visual record of her growth. The family album kind of thing.  In fact, I would say that photographing my kid was really the reason why I started (again) with photography (I had taken some pictures when I was 18 years old, bot forgot about it soon).

How did your family initially react to you photographing them?  they seem to be very active participants in the process, almost like they know they’re in a movie. 

It came as a natural thing. My kid was, and stil is, very extroverted, always acting like a clown and trying to make us laugh. And she loves to disguise herself, so I just have to be there with the camera. Both my kid and my wife enjoy the “shooting sessions” we  sometimes do

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Yeah, it does seem like a playful vibe. But there’s also a hint of a darker, more sinister vibe as well. Do you notice that in the work?  Do you think shooting in black and white reinforces that a bit?

I do notice that, in fact I try to get that atmosphere in the pictures. My idea was to give a dark twist to the typical family snapshots. Yeah, I think shooting in high contrast black and white does reinforce that, it’s also part of the same idea of twisting the traditional cheerful and colorful family album. The irony that comes out from the mixture of a sinister mood and the expected happiness in family pictures, that’s what i’m trying to elaborate, I guess.

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Are you planning on turning the family album into a larger project?  it seems it would be difficult to determine when to wrap up the project when you’ll likely be photographing your family for the rest of your life.

I’m still not planning on putting an end to it. But yes, there is an end to it: I guess what I see in these pictures is related with the idea of infancy, the time of fairy tales. si, being my kid the main “character” of them, It will last until she grows older and enters the pre-adolecesnce world. that’s when the next family album project will start.  

More of Rafael’s work after the jump. 

Continue reading…

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